Village
of the Damned (1995)
Directed
by John Carpenter
Starring
Christopher Reeve, Kirstie Alley, Linda Kozlowski, Mark Hamill, Michael Paré, Meredith
Salenger
The
small town of Midwich is mysteriously struck with a bout of spontaneous sleep. When
everyone wakes, the government is a bit concerned about how and why this
happened. It turns out that every woman in town is pregnant, prompting the
government to stick around and keep tabs on how the children progress. The kids
are all remarkably gifted and look eerily alike with very pale skin, white
hair, and piercing blue eyes. They also exhibit supernatural powers like
telepathy and mind control. Killing all who oppose them and terrorizing the
town into submission, it’s up to a few strong willed adults to stop the
children before they leave town.
Given
John Carpenter’s track record with remakes of famous horror movies, you expect Village of the Damned to be at least
awesome. It’s not, but that doesn’t mean it’s not good. The movie is just well
made and entertaining, but nothing mind blowing.
Carpenter
as always knows how to set up mood and tension. The film is certainly unnerving
and builds on each scene to paint a thorough picture of life under the
children. You get a sense of this town being choked out by a group of spooky
kids with light-up eyes. The effects are pretty decent, both practical and
computer generated. At first the glowing eyes of the kids are kind of funny,
but that’s quickly remedied after someone starts self-mutilating.
The
cast is filled with talented actors doing perfectly adequate jobs. Christopher Reeve
does his level best, looking quite concerned and at times very fatherly. Kristie
Alley is surprisingly effective as a suspicious, chain smoking G-man type. And the
kids all do a great job looking creepy and threatening. No standout
performances, but there also aren’t any that really drag the movie down.
There’s
nothing particularly wrong with Village
of the Damned, but there’s also nothing really spectacular either. It’s
only for those who are fans of the original and those curious about Carpenter’s
take on the material.
7 out of 10
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